Showing posts with label Christmas. Show all posts
Showing posts with label Christmas. Show all posts

Friday, 28 December 2012

Latin Roots: The Christmas Music Of Latin America

Eric Jamison/Getty Images Ranchera star Lila Downs. Ranchera star Lila Downs.

Eric Jamison/Getty Images Héctor Lavoe, "En La Navidad"Lila Downs, "Amarga Navidad"Cuco Valoy, "A Comer Lechon"Daddy Mack Blues Band, "Feliz Navidad"

In this edition of World Cafe, Beat Latino host Catalina Maria Johnson sits down with host David Dye to discuss the Christmas music traditions of Latin America. One thing that sets Central America's music apart from that of North America, she says, is the fact that a lot of it is made for dancing.

The first song Johnson plays, "En La Navidad," proves just that. It's a classic salsa tune, performed here by Héctor Lavoe; he's one of Puerto Rico's most famous salsa singers, or salseros. Joining Lavoe in the song is fellow Puerto Rican Yomo Toro, who was among the most revered players of the country's national instrument, the cuatro.

From there, Johnson plays a song from Lila Downs, one of Mexico's most talented ranchera singers. She performs "Amarga Navidad," or "Bitter Christmas." The song strays far from the upbeat tone of much holiday music, and Johnson describes its words as a parting message at the end of a relationship: "December is, like, a really good time for you to leave, because I'd like to start the new year without you."

A lot of Latin Christmas music describes other popular traditions practiced during the holidays. Dominican salsa and merengue singer Cuco Valoy's "A Comer Lechon" is an ode to lechon, a suckling-pig-based dish popular in a number of countries; it's often eaten on Noche Buena, or Christmas Eve.

Finally, Johnson brings a North American interpretation of Latin Christmas music. "Feliz Navidad," originally written in 1970 by Puerto Rican singer-songwriter José Feliciano, has become part of the popular holiday-music canon, even outside of Latin America. Daddy Mack Blues Band's version adds Memphis twang to the popular tune.

Listen to Catalina Maria Johnson's holiday playlist on Spotify.

Latin Roots from World Cafe is made possible by a grant from the Wyncote Foundation.


View the original article here

Thursday, 20 December 2012

Latin Roots: Christmas Preview

Mariachi Reyna de Los Angeles is an all-female mariachi band.

Courtesy of the artist Mariachi Reyna de Los Angeles is an all-female mariachi band. Mariachi Reyna de Los Angeles is an all-female mariachi band.

Courtesy of the artist Los Papines, "El Pequeño Tamborilero (The Little Drummer Boy)"Mariachi Reyna de Los Angeles, "Los Peces En El Río"

As the peak of the holiday season draws near, Latin Roots explores some sizzling renditions of well-known Christmas classics. Most people are familiar with the traditional "Little Drummer Boy," but many have yet to enjoy a very popular Cuban version of the song, interpreted by the band Los Papines. The band, commonly known as the "Kings of Rumba," uses deep, percussive sounds to tell the story of a child's perspective of the holiday season.

World Cafe host David Dye is joined by Catalina Maria Johnson — host of Beat Latino — as they discuss the musical traditions of Spain, and one particular Christmas song that has spread across all of Spain's former colonies: "Los Peces en el Rio."

Many Americans may not be familiar with the song, but throughout Latin America, singing it has become a household tradition. Nearly every country has its own rendition, and Catalina performs a mariachi version of the much-beloved tune.

While mariachi is typically a male-dominated genre in Latin America, Mariachi Reyna de Los Angeles is an all-female band that defies stereotypes. The band offers a unique biblical perspective on "Los Peces en el Rio," which recounts the story of a fish watching the Virgin Mary and baby Jesus as they make their way along a river bank.

Listen to the Latin Roots Catalina Maria Johnson Christmas playlist on Spotify

Latin Roots from World Cafe is made possible by a grant from the Wyncote Foundation.


View the original article here